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BAM in association with L’Alliance New York’s Crossing The Line Festival Presents

La Distance

Festival d’Avignon
Tiago Rodrigues

  • Tiago Rodrigues

    Portuguese actor Tiago Rodrigues’ first ambition is to collaborate with people who want to come together and invent shows. His early encounter with the Antwerp-based theater collective tg STAN in 1997, when he was only 20, confirmed a commitment to the absence of hierarchy in creative work. The liberating performance style and flexibility given to him then continues to influence his work today.

    Rodrigues thus found himself repeatedly and early in his career in a position of initiator, and little by little came to direct and write projects he “stumbled upon.” In parallel to that, he also wrote screenplays, articles, poems, prefaces, op-eds, etc.

    In 2003, he and Magda Bizarro co-founded the company Mundo Perfeito, which created many shows without settling down in any specific location, becoming the guest of many national and international institutions. In France, he notably performed his Portuguese version of Shakespeare’s Antony and Cleopatra at the Festival d’Avignon in 2015. By Heart was presented in 2014 at the Théâtre de la Bastille, which later allowed him to lead an “occupation” of the theater during two months in spring 2016, during which he created Bovary. Director of the Teatro Nacional D. Maria II in Lisbon from 2015 to 2021, Rodrigues continues to create shows using the limited means he has appropriated as his own artistic syntax. On a larger scale, he has become a builder of bridges between cities and countries, at once host and advocate of a living theater. Following his appointment in July 2021, whilst he was presenting Chekhov’s The Cherry Orchard in the Cour d’honneur of the palais des Papes, he took over the direction of the Festival d’Avignon in September 2022. He continues to helm the festival he knows well, having presented Antony and Cleopatra there in 2015, Sopro in 2017, The Cherry Orchard in 2021, By Heart, Dans la mesure de l’impossible in 2023 and La Distance in 2025.

  • BAM

    For more than 160 years, BAM has been a thriving, urban multi-arts complex  renowned for presenting an unparalleled roster of visionary and cutting-edge dance, theater, music, opera, visual arts, literature, and film engagements. Attracting more than 750,000 people annually to its home in Brooklyn, BAM provides a welcoming cultural stage and meeting place for global and local communities of all backgrounds. BAM’s distinctive multi-theater campus is alive year-round with inspired new engagements and signature programs alike including the renowned Next Wave (one of the world’s most influential festivals of contemporary performing arts, founded in 1983), the iconic DanceAfrica, an acclaimed repertory film program, and literary, archival, educational and humanities programs. For more information visit BAM.org

  • Billing Credits 

    Written and Directed by Tiago Rogrigues

    Performed by Alison Dechamps and Adama Diop

    Translation by Thomas Resendes

    Scenography by Fernando Ribeiro

    Costume Design by José António Tenente

    Lighting Design by Rui Monteiro

    Music and Sound Design by Pedro Costa

  • Production Credits 

    Co-produced by Teatro stabile di Napoli Teatro Nazionale (Naples), Onassis Stegi (Athens), La Comédie de Clermont-Ferrand Scène nationale, Divadlo International Theatre Festival (Plzeň), Le Volcan Scène nationale du Havre, Teatre Lliure (Barcelona), Centro Dramatico Nacional (Madrid), Malakoff Scène nationale Théâtre 71, Culturgest (Lisbon), De Singel (Antwerp), Équinoxe Scène nationale de Châteauroux, Points communs Nouvelle Scène nationale de Cergy-Pontoise / Val d’Oise, Piccolo Teatro di Milano Teatro d’Europa (Milan), Maillon Théâtre de Strasbourg Scène européenne, NTCH Taiwan National Theatre and Concert Hall, Les Célestins Théâtre de Lyon, Théâtre du Bois de l’Aune (Aix-en-Provence), Théâtre de Grasse Scène conventionnée d’intérêt national Art & Création, Scènes et Cinés Scène conventionnée d’intérêt national Art en territoire (Istres), Le Bateau Feu Scène nationale de Dunkerque, Plovdiv Drama Theatre, Malta Festival (Poznań), Espace 1789 (Saint-Ouen)

    Supported by the integration programme of the École du TNB – Théâtre national de Bretagne (Rennes)

Lead Image and Headshot © Christophe Raynaud de Lage / Festival d’Avignon

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