Palabre/s en mode marron & Rite de passage || solo 2
Bintou Dembélé
Schedule
Friday, December 6, 2024
Saturday, December 7, 2024
NORTH AMERICAN PREMIERE
“In 2019, Bintou Dembélé, a hip-hop pioneer in France, became the first Black female choreographer to be hired by the Paris Opera. Her group of fierce dancers, performing a range of street and club styles like krump, electro and voguing, became a symbol of diversity at the heart of a venerable opera house.” – The New York Times
Beginning with Palabre (“A space for speech dedicated to and catered for a community, a village or an assembly. To celebrate oneself, to show off, to mourn, to act with responsibility in the name of the I and/or the We.”) Bintou Dembélé invites Francophone thinkers and artists to collectively demonstrate the power of cultures from the peripheries. Filmmaker Alice Diop (Saint Omer), Mame-Fatou Niang, Director-Founder of the Center for Black European Studies and the Atlantic at Carnegie Mellon University, Audrey Célestine, Associate Professor of History at NYU, Mawongany (Afropunk – Paris) and others come together to find common strengths with New York’s marginalized communities.
Each day culminates in Dembélé’s work Rite de passage // solo II, devised for the dancer Michel “Meech” Onomo and drawing on both artists’ background in hip-hop performance. Developed during a residency at Rome’s Villa Medici, this piece investigates ritual space as a site of body memory, and asks what form a “maroon dance” might take today.
Detailed Schedule
Friday, December 6
• 12:30pm – 7pm: Palabre/s en mode marron: Conversations, talks, and a film screening with Mawongany, Audrey Célestine, Ann-Sophie Nanki, and Bintou Dembélé plus a communal dinner and discussion with BEM books and Chef Deborah L. Jean.
• 7:30 – 8:30pm: Performance of Rite de passage || solo 2
Saturday, December 7
• 12:00pm – 6pm: Palabre/s en mode marron: Conversations, film screenings, and talks with Mame-Fatou Niang, C Riley Snorton, Stefanie Batten Bland, nora chipaumire, and Bintou Dembélé.
• 7:30 – 8:30pm: Performance of Rite de passage || solo 2
• 8:30 – 10:30pm: Dance Party: UBABU takes the floor with a mix of dance music from the diaspora.
Co-Presented with Performance Space New York.
Venue
Bintou Dembélé
Bintou Dembélé is a prominent figure in France’s hip-hop scene, known for her dynamic career as a dancer, choreographer. The first AfroQueer choreographer hired by the Paris Opera—for her groundbreaking reinterpretation of Rameau’s Les Indes galantes, created with Clément Cogitore in 2019 and the conductor Léonardo Garcia Alarçon —she has collaborated throughout her career with renowned artists such as Denis Darzacq or MC Solaar, exploring themes of cultural memory, colonial history, and reappropriation in her choreographic works.
In 2002, Dembélé founded her own structure, Rualité, which has produced six acclaimed productions, blending elements from dance, music, and visual arts. Dembélé has also engaged in academic collaborations and is sought after as a speaker on her artistic approach. She holds associate artist positions at Ateliers Médicis, Carnegie-Mellon University (CBESA), and UChicago (Black Baroque).
Credits
onception: Bintou Dembélé
Performance: Michel « Meech » Onomo
Lighting Design: Emmanuel Gary
Music Creation: Charles Amblard
Additional Music: Drumming – Phase I – Steve Reich, Colin Currie
Audio Mix: Vincent Hoppe
Costumes: Annie Melza
Production: La Structure Rualité
Coproduction & Support// Ateliers Médicis (Clichy-Sous-Bois /Montfermeil), CND Centre National de la Danse Aide à la résidence // le T2G Théâtre de Gennevilliers – CDN (Pantin), Centre de la danse GPS&O Pierre-Doussaint (Les Mureaux), Antre- Peaux (Bourges)
Research: Villa Médicis (Rome), Villa Albertine (Chicago) Fonds de dotation Francis KurkdjianProduction at L’Alliance New York
Programming Manager: Clementine Guinchat
Support for Crossing The Line


and The Wescustogo Foundation
Support for dance programming in Crossing The Line from The Harkness Foundation for Dance
L’Alliance New York’s programs are made possible by the New York State Council on the Arts with the Support of the Office of the Governor and the New York State Legislature.
Photo Credit:
Lead Image @Christophe-Raynaud-De-Lage
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